A painting by Yun Hyong-keun hangs near a Rothko. Elsewhere, centuries-old Korean ceramics share space with contemporary sculptures, while handwritten reflections offer glimpses into the mind of their collector. Here's why RM x SFMOMA: Between You and Me belongs on the list of museum exhibitions worth travelling for.

Museum Exhibitions Worth Travelling For: RM Of BTS At SFMOMA
A painting by Yun Hyong-keun hangs near a Rothko. Elsewhere, centuries-old Korean ceramics share space with contemporary sculptures, while handwritten reflections offer glimpses into the mind of their collector. Here's why RM x SFMOMA: Between You and Me belongs on the list of museum exhibitions worth travelling for.
October 3, 2026
From October 3, 2026, to February 7, 2027, at one of the most prestigious art galleries in New York, the San Francisco Museum of Modern Art(SFMOA) presents RM x SFMOMA: Between You and Me. Featuring 178 artworks, including 142 from RM's personal collection and 36 from SFMOMA, Between You and Me stands among the most distinctive museum exhibitions worth travelling for in 2026-27. Working alongside museum co-curators América Castillo and Hyoeun Kim, RM helped develop an exhibition connecting Korean artistic traditions with international modernism.
Across eight thematic sections, including Bluewater, Friendscape, Home, and Umber, artworks are brought together through shared emotions, memories, and personal associations. Paintings by Korean masters such as Yun Hyong-keun, Park Rehyun, and Chang Ucchin enter into dialogue with works by Mark Rothko, Agnes Martin, Donald Judd, and Georgia O'Keeffe. These encounters position Korean modernism within a wider international art history, revealing shared artistic concerns alongside distinct cultural experiences.

Among the museum exhibitions worth travelling for, Between You and Me stands apart for the depth of RM's curatorial involvement, extending well beyond conventional celebrity collaborations. He participated in selecting and arranging artworks, contributed written reflections, and recorded bilingual audio guides in Korean and English. His personal observations offer visitors an intimate perspective on the motivations, emotional connections, and uncertainties behind collecting.
"We live in an age defined by boundaries... My only hope is that this exhibition can be a small but sturdy bridge for many."
The section I Don't Know, But I Like It is especially revealing. Its premise acknowledges that an emotional connection with art can precede the ability to explain its historical or theoretical significance.
This approach raises an important question about museum authority. Academic expertise remains essential to scholarship and preservation, yet personal interpretation can provide another meaningful entry point into complex artistic traditions.

RM's involvement demonstrates how a cultural figure outside the conventional curatorial establishment can contribute to serious institutional programming while introducing new audiences to unfamiliar artistic histories.

For the international Asian art scene, Between You and Me offers visibility extending beyond the popularity of its celebrity collaborator, establishing itself as one of the museum exhibitions worth travelling for among audiences interested in cross-cultural artistic exchange. Alongside international art fairs like Frieze Seoul and Art Busan, the exhibition at SFMOMA encourages visitors to reconsider the geographical boundaries through which modern art is commonly understood.
The exhibition's significance also lies in its potential audience. RM's global following introduces younger visitors to artists whose practices developed through Korea's complex twentieth-century cultural and political transformations. In doing so, Between You and Me expands the possibilities of museum exhibitions worth travelling for, demonstrating how personal collecting and thoughtful curatorial collaboration can create new pathways into art history.






























