LOOK
of the day

To dress in the style of a modern vamp, one begins with the Ludovic de Saint Sernin black lace-up leather bustier maxi dress, which lays down the first layer of total darkness. This long column of leather clings to the form before falling like a heavy shadow to the floor, creating a silhouette that is both statuesque and fluid. Its laced bodice and cold metal eyelets give the neckline the distinct feel of functional armor, suggesting a chest that is simultaneously exposed to the world and protected by a hide of calfskin, a paradoxical shield for the nocturnal elite.

To dress in the style of a modern vamp, one begins with the Ludovic de Saint Sernin black lace-up leather bustier maxi dress, which lays down the first layer of total darkness. This long column of leather clings to the form before falling like a heavy shadow to the floor, creating a silhouette that is both statuesque and fluid. Its laced bodice and cold metal eyelets give the neckline the distinct feel of functional armor, suggesting a chest that is simultaneously exposed to the world and protected by a hide of calfskin, a paradoxical shield for the nocturnal elite.

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Over this base, the Forme d’Expression black jacket with a chimney collar cuts a sharp, almost ceremonial silhouette. The structured flare of the hem and the architectural severity of the high neck turn every simple movement into a grand, sweeping entrance. When these two pieces meet, they read as the pinnacle of modern gothic tailoring: half-cathedral, half-underground club, bridging the gap between sacred geometry and profane rebellion.

Over this base, the Forme d’Expression black jacket with a chimney collar cuts a sharp, almost ceremonial silhouette. The structured flare of the hem and the architectural severity of the high neck turn every simple movement into a grand, sweeping entrance. When these two pieces meet, they read as the pinnacle of modern gothic tailoring: half-cathedral, half-underground club, bridging the gap between sacred geometry and profane rebellion.

Around the neck, the Lanvin Luxor pyramid necklace rests like a heavy, gilded amulet. The triangular pendant suggests ancient symbols and secret orders, acting as an artifact of intent rather than mere decoration.

The Parts of Four silver Sistema ring adds another layer of ritual; it is a small but weighty band that looks less like jewelry and more like a relic unearthed from a future ruin. Its raw, matte finish contrasts sharply with the liquid-like sheen of the sleek leather, hinting at something primal and unyielding beneath the high-fashion polish.

The Parts of Four silver Sistema ring adds another layer of ritual; it is a small but weighty band that looks less like jewelry and more like a relic unearthed from a future ruin. Its raw, matte finish contrasts sharply with the liquid-like sheen of the sleek leather, hinting at something primal and unyielding beneath the high-fashion polish.

On the feet, Cesare Paciotti dagger heels complete the narrative. The literal blades at the back of the shoe extend the line of the leg into something dangerously sharp and weapon-like. The iconic flash of red under the sole feels like a warning flare every time the wearer turns away, a detail that rewards the observer while signaling a subtle threat.

Together, these pieces curate a profile that is slim, sharp, and uncompromising, built for those specific nights when softness is not the message. The look suggests a woman who moves through the room as if it already belongs to her, leaving only the echo of metal and leather behind as she fulfills her role as a contemporary vamp.