Phan Huy is, right now, truly a “golden branch and jade leaf” of Vietnamese fashion, an expression that suggests a rare heir of refinement and noble lineage, because he has delivered a milestone: the youngest designer invited as a new Guest House of Haute Couture under his own name, and also the first Vietnamese to achieve this title.
Phan Huy is, right now, truly a “golden branch and jade leaf” of Vietnamese fashion, an expression that suggests a rare heir of refinement and noble lineage, because he has delivered a milestone: the youngest designer invited as a new Guest House of Haute Couture under his own name, and also the first Vietnamese to achieve this title.
February 4, 2026
Phan Huy is, right now, truly a “golden branch and jade leaf” of Vietnamese fashion, an expression that suggests a rare heir of refinement and noble lineage, because he has delivered a milestone: the youngest designer invited as a new Guest House of Haute Couture under his own name, and also the first Vietnamese to achieve this title.
This is a major step forward, proof to the world, especially to those already fluent in Haute Couture, that Vietnam does not stop at contract manufacturing or ready-to-wear production. Vietnam is now capable of telling culturally layered stories through high-end bespoke tailoring, continuing the path opened by earlier generations.
The title Golden Branch and Jade Leaf remains a prayer whispered across generations of elegance. In the quiet courtyards of Vietnamese history, these words were reserved for the noble born whose grace was cultivated like a rare orchid in a hidden garden. Phan Huy transforms this idiom into a living philosophy where the trunk represents the sturdy wood of ancestry and the deep roots of identity. From this trunk grow the precious extensions of the spirit, gold that refuses to tarnish and jade that captures the very light of the morning sun. This collection becomes a love letter to the heir of wisdom, celebrating a beauty that is disciplined and a demeanor that remains forever elevated.
At the heart of this creation lies a covenant of preservation and a vow to the vanishing arts. For Phan Huy, Couture is a sanctuary for the slow and rhythmic dance of the needle in an era of frantic speed. He treats every garment as a vessel for the fine values of Vietnamese handcraft, protecting traditions that flicker like candle flames in the wind. By weaving these fading techniques into the fabric of global luxury, he ensures the artistry of his ancestors remains a monument. He reminds the world that if the trunk of culture is precious timber, then every stitch made today is a leaf of jade shimmering with the promise of eternity.
The visual narrative of this collection finds its heartbeat in the soft, luminous strokes of the modern master Mai Trung Thứ. Phan Huy breathes life into this painterly world, inviting the legendary "Vietnamese Mona Lisa" to step out from the canvas and drape herself in his contemporary silks. This dialogue between the brush and the needle creates a bridge where 20th-century grace meets the pulse of a twenty-seven-year-old visionary. It is a sacred homecoming for the aesthetic, a moment where the stillness of art transforms into the fluid grace of a living body.
In the architecture of the garments, the branch reveals itself through a deliberate and structural strength. Phan Huy translates the rigidity of wood into sharp, engineered silhouettes that ground the collection in a sense of permanence. These pieces feature sculpted volumes at the hips and shoulders, creating a steadiness that feels like the trunk of a tree standing firm against time. Rib-like raised lines act as a built-in frame for the body, ensuring that every garment possesses its own internal skeleton, a structural echo of the lineage that supports his creative spirit.
In contrast, the leaf emerges as the soul of motion and softness. Here, the designer plays with the transparency of organza and the liquid drape of sheer chiffon to create a sense of ethereal flight. Intricate 3D-cut leaves, each edged with delicate tubular beads and stitched to maintain their organic form, flutter with every breath of the wearer. The pinnacle of this movement is found in the shimmering red gown that graced the runway, a masterpiece of trembling light that required three months of devotion to perfection. It is a garment that exists in a state of constant, gentle vibration, capturing the very essence of a leaf caught in a summer breeze.
Phan Huy leans into the timeless language of the corset and the flared skirt, choosing a path of classical elegance for his global debut. This choice speaks to a thoughtful entry into the world of Haute Couture, offering a beauty that is universal and immediately felt by the heart. While some may see this as a moment of creative caution, it is actually an act of intentional hospitality. By presenting a silhouette that the world already loves, he invites an international audience to first fall in love with the aesthetic. Once the door is open, he can lead them deeper into the intricate layers of Vietnamese history and the complex soul of his craft in the chapters yet to be written.
To look closely at these garments is to witness a quiet revolution where ancestral textures are re-imagined for a global stage. The vision begins with glittering headpieces that crown the models like celestial halos, casting a shimmer over frothy drapes of fabric that seem to float like sea foam. Phan Huy demonstrates a profound mastery of the sacred principles of couture, yet he refuses to remain a silent student of the past. He is already innovating with a restless, youthful energy, turning the traditional gown into a canvas for architectural wonder.
The back of each dress reveals a hidden poetry, where beaded fans unfold with looped trims to create a sense of ornate mystery. Suspended beaded trains and pendulous panels swing with a rhythmic, hypnotic grace, following the movement of the body like a shimmering shadow. This fusion of Vietnamese cultural depth and the sharp lines of European silhouettes creates a disruption that is as exciting as it is elegant. There is a beautiful clashing of these two worlds, a fascinating dialogue where the heritage of the East meets the structure of the West in a collision of pure glamour.
The composition of these pieces evokes the soaring heights of the Eiffel Tower, manifesting in three-dimensional drooping petals that flutter with every step. Sparkling, delicate beaded straps cross the chest with a divine gentleness, acting as jewelry for the soul.
This is the dawn of a new couture covenant, a realm where the breathless grandeur of the red carpet finally meets a sacred, quiet devotion to the needle. Phan Huy has whispered into existence a visual language that feels as eternal as an ancient prayer yet as fresh as a first kiss, proving that the next great love story of global luxury is being written with a passionate Vietnamese heart and a spirit that belongs to the world.
