For three February days, the Grand Palais reopened its glass-walled cathedral to a very French idea of culture: art as a public square. Art Capital 2026 gathered 3,000+ artists across four historic Salons, with the crowd moving like a slow tide through painting, sculpture, photography, drawing, installation, and the conversations in between.

For three February days, the Grand Palais reopened its glass-walled cathedral to a very French idea of culture: art as a public square. Art Capital 2026 gathered 3,000+ artists across four historic Salons, with the crowd moving like a slow tide through painting, sculpture, photography, drawing, installation, and the conversations in between.
February 15, 2026
Under the renovated nave, Art Capital 2026 reads less like a trade show and more like the miniature of the city with neighbourhoods of styles, mediums, and schools, all stitched together by daylight. The public run landed on February 13–15, with a vernissage on February 12 reserved for invitations, and the anniversary framing matters: two decades of a fair built by artists, for artists, where proximity becomes part of the format.
The four pillars each carry a different rhythm:
What makes Art Capital 2026 feel like museum exhibitions worth travelling for is its scale paired with its human access. Organisers cite 43,000+ visitors and 13,000+ m² of exhibition space, yet the experience stays conversational: artists often stand beside their own work, selling directly, explaining processes, and trading context with strangers.
The 2026 edition also widened its “how-to” dimension. Talks and masterclasses, from starting an art collection to art therapy to the economics of an artist’s life, pulled Art Capital toward a civic school as much as a salon.
After the renovation years at the Grand Palais Éphémère, Art Capital 2026 return lands like a homecoming: the glass roof restores the event’s natural spotlight and gives even small works a theatrical clarity. For anyone mapping the best art exhibitions Paris 2026 offered, this is the one that feels most alive, because it is still being made in real time.